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Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.

Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.

Innerfields are a Berlin born and based art collective that grew up with graffiti and various influences; they formed as a group in 1998. The artists like to reflect on their surroundings and create mostly figurative motifs in a realistic approach, which are mixed with graphic elements and symbols. The main theme in their work is man, linked to being part of nature and all too often in defiance of it. Creating artwork is their profession and they like to participate in festivals and various art related projects around the world.

Innerfields are a Berlin born and based art collective that grew up with graffiti and various influences; they formed as a group in 1998. The artists like to reflect on their surroundings and create mostly figurative motifs in a realistic approach, which are mixed with graphic elements and symbols. The main theme in their work is man, linked to being part of nature and all too often in defiance of it. Creating artwork is their profession and they like to participate in festivals and various art related projects around the world.

Painter and graphic artist Jakub Uksa (*1981) belongs to a strong generation of Prague writers (OBIC) who entered the graffiti scene in the mid-1990s. His relationship to writing and tightly defined shape is also determined by his study of applied graphics. Almost from the beginning he drew inspiration from manifestations of strong ancient and oriental cultures. He consistently created his work without sketching as an intuitive freestyle. He saw them as a graphic puzzle, with the head working a few strokes ahead, and only with the last line does the purist composition close itself without the need to add anything to it artistically.

Painter and graphic artist Jakub Uksa (*1981) belongs to a strong generation of Prague writers (OBIC) who entered the graffiti scene in the mid-1990s. His relationship to writing and tightly defined shape is also determined by his study of applied graphics. Almost from the beginning he drew inspiration from manifestations of strong ancient and oriental cultures. He consistently created his work without sketching as an intuitive freestyle. He saw them as a graphic puzzle, with the head working a few strokes ahead, and only with the last line does the purist composition close itself without the need to add anything to it artistically.