Acrylic on canvas
Year 2021
Dimensions: 180 x 200 cm
Previous product
Back to products
Jakub Tytykalo - Zub packs a cigarette
5,960.00 €
0.05755 BTC
Next product
Zeb One - M5
3,100.00 €
0.02993 BTC
Laura Limbourg - The peach room
4,400.00 € 0.04249 BTC
After returning back to the Czech Republic, I still had a deep need to educate myself on this issue and find out as much information as possible. Based on this, the only possible outlet for me was painting where I had the opportunity to express some disagreement or perhaps draw some attention to the problem. Stories and compositions began to emerge of girls I portrayed as strong heroines or fragile girls who were getting a lot of unwanted attention. In the paintings I reduced the descriptiveness a lot, I didn't think it was important to portray very young girls realistically, and I emphasized color and symbols.
| Dimensions | 180 × 200 cm |
|---|---|
| Artist |
1 in stock
How to Buy?
- Add the work to the basket and confirm your order by filling in your contact details.
- AG will confirm the availability of the work with the gallery/artist within 2 business days.
- It then notifies the buyer of the availability and sends a link to the payment gateway if the work's price is under €10,000. In case of works costing between €10,000 and €15,000, we are obliged to identify the buyer under the AML Act. The identification of the buyer is done through a courier who visits the buyer at the address provided and fills out a simple form with the buyer. A payment gateway will then be sent to the email address provided. If the work costs over €15,000, the works can only be purchased in person at the point of sale after the buyer has been identified according to AML rules (personal data).
- The Purchaser shall pay for the work within 24 hours of receipt of the link to the payment gateway.
- After payment, the work will be shipped within 5 working days by a shipping company with a maximum delivery time of 14 days (worldwide).
Related products
Ales Brázdil - Passage
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil - Echo 1
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Jakub Tytykalo - The Conveyor belt
In the work James Tytykal (1984) one can trace the inspiration of classical modernism. Fragmented creatures, still lifes, landscapes and, more recently, urban scenes are reminiscent of Cubism in their compositional structure and reduced colour palette. In contrast to the Cubist emphasis on the act of seeing and the problem of representation, however, Tytykalo turns to the imagination: he models matter in his paintings with an emphasis on its imaginative potential. Tytykalo's combination of acrylic and spray paint inventively merges classical figurative painting with the lightness and exaggeration of street art.
Ales Brázdil - Skirts 4
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Ales Brázdil - Cut
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Ales Brázdil - Lion
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil - Violet on the top right
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Zeb One - M2
By gradually developing the script, Zeb One maintained the continuity of his creative work. He never followed art trends much, and his personal opinion and inventiveness was gradually shaped by graffiti, the street art scene, but also by his admiration for the aesthetic quality of floor plans as we know them from urbanism and architecture. The pursuit of the purest possible form without gestural and emotional elements eventually logically anchored him in a geometric and abstract expression based on typography.