Marek Šilpoch (1992) has never been a writer, but he has always been attracted to graffiti as part of urban visual culture, even though he was closer to the clubbing and electronic music scene. He is also connected with spray painters by his intense interest in writing, in his case graphic design, which, together with the principles of visual communication, he studied at the Prague UMPRUM, where he finished his studies in Rony Plesl's glass studio. His intermedia approach corresponds to the breadth of his scope. For several years now, his most characteristic works have been prefabricated light objects and installations with an emphasis on an industrial look. On the one hand an almost purist purity of shapes at times, on the other a dystopian and sometimes almost cyberpunk aesthetic and an unsought DIY-style composability. His thoughtful design concept is mixed with intuition, processes based on controlled chance and spontaneous interventions. He treats light as a colour, but he doesn't shy away from it and uses it in an almost action-like way - prints, dripping, slash. He has a fondness for neons and old industrial components, whether they are light boxes, tubes of fluorescent lamps or elements of factory furnishings. The combination of these means serves not only to effectively shape his work but above all to emotionally transform reality and its experience.

Showing all 4 results

Marek Šilpoch - Neo

2,000.00  0.02104 BTC

Prefabricated lighting objects and installations with an emphasis on industrial look; on the one hand an almost purist's purity of forms at times, with a dystopian and sometimes almost cyberpunk aesthetic and unexpected DIY-style on the other. His thoughtful design concept is mixed with intuition, with processes based on controlled chance and spontaneous interventions. He treats light as a colour, but he doesn't shy away from it and uses it in an almost action-like way - prints, dripping, slashes. He has a fondness for neon and old industrial components, whether they are light boxes, tubes of fluorescent lamps, or elements of factory furnishings. The combination of these serves not only to effectively shape his work, but above all to emotionally transform reality and its experience.

Marek Šilpoch - Horizon of events III.

2,450.00  0.02578 BTC

Prefabricated lighting objects and installations with an emphasis on industrial look; on the one hand an almost purist's purity of forms at times, with a dystopian and sometimes almost cyberpunk aesthetic and unexpected DIY-style on the other. His thoughtful design concept is mixed with intuition, with processes based on controlled chance and spontaneous interventions. He treats light as a colour, but he doesn't shy away from it and uses it in an almost action-like way - prints, dripping, slashes. He has a fondness for neon and old industrial components, whether they are light boxes, tubes of fluorescent lamps, or elements of factory furnishings. The combination of these serves not only to effectively shape his work, but above all to emotionally transform reality and its experience.

Marek Šilpoch - Horizon of events VI.

2,450.00  0.02578 BTC

Prefabricated lighting objects and installations with an emphasis on industrial look; on the one hand an almost purist's purity of forms at times, with a dystopian and sometimes almost cyberpunk aesthetic and unexpected DIY-style on the other. His thoughtful design concept is mixed with intuition, with processes based on controlled chance and spontaneous interventions. He treats light as a colour, but he doesn't shy away from it and uses it in an almost action-like way - prints, dripping, slashes. He has a fondness for neon and old industrial components, whether they are light boxes, tubes of fluorescent lamps, or elements of factory furnishings. The combination of these serves not only to effectively shape his work, but above all to emotionally transform reality and its experience.

Marek Šilpoch - Horizon of events V.

2,450.00  0.02578 BTC

Prefabricated lighting objects and installations with an emphasis on industrial look; on the one hand an almost purist's purity of forms at times, with a dystopian and sometimes almost cyberpunk aesthetic and unexpected DIY-style on the other. His thoughtful design concept is mixed with intuition, with processes based on controlled chance and spontaneous interventions. He treats light as a colour, but he doesn't shy away from it and uses it in an almost action-like way - prints, dripping, slashes. He has a fondness for neon and old industrial components, whether they are light boxes, tubes of fluorescent lamps, or elements of factory furnishings. The combination of these serves not only to effectively shape his work, but above all to emotionally transform reality and its experience.