Ales Brázdil
Painting Ales Brazdil is characterized by the presence of a certain visual irritation in addition to a sense of illusiveness of expression. His ability to transform what is seen into a state of dynamic, rearranged matter that can continue to be freely shaped, manipulated, and bent at will is embedded in his exploration of the analogical world of reproduced records with which he works through the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary. Brázdil is fascinated by the existence of a temporal pocket that has been fixed in its respective medium and can be revisited repeatedly. But what is the reason behind this "extraction" of reproduction?
Individual exhibitions
2017
Paintings, Michal's Collection Gallery, Prague
Portrait, Beseda Gallery, Ostrava
Unfortunately for me, K10 Coworking, Prague
2016
Over Thin Joints, The Chemistry Gallery, Prague
2011
Nobody Likes Me, Michal's Collection Gallery, Prague
Joint exhibitions
2021
KOSMOS, The Chemistry Gallery, Prague
2019
Just Kids, The Chemistry Gallery, Hall 17, Prague
2018
10 years of Chemistry, Hall 17, Prague
Chemistry Salon, Jungmannovo náměstí, Prague
The Art of Making Catastrophe, Zoya Museum, Modra
2016
Artefakt, The Chemistry Design Store, Prague
Art for Hear t, Galerie Mánes, Prague
Resurrection, Traffo Gallery, Prague
Klenová ' ART ' Schwandorf, Galerie Klatovy Klenová
2015
Face of Pilsen, Depo 2015, Pilsen
Holy ways, Europeans Art, Prague
2014
Arnold and Children, Michal's Collection Gallery, Prague
OSTRALE 014, Dresden, Germany
The Dark Depths of Happiness, Orlovna Gallery, Kroměříž
Temple of Freedom, Red Gallery, London
2013
Confidential Report , NOD Gallery, Prague
22:22, The Chemistry Gallery, Prague
The Dark Depths of Happiness, New Town Hall, Prague
Dog Days, Nau Gallery, Prague
2012
Contemporary Czech Art, National Gallery, Prague
Czech Painting, Gallery Piéšt'any, Slovakia
Dreams of Youth, Gallery Art Affair, Reich
2011
Something Else, Dea Orh Art Gallery, Prague
Kick-off, DSC Gallery, Prague
2010
Scarecrows, The Chemistry Gallery, Prague
Gallery Kunstverein Graz, Graz
2009
Articulation, Diamant Gallery, Prague
2007
AVU18, National Gallery, Prague
Defenestration, New Town Hall, Prague
Ales Brázdil - Cut
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil - Violet on the top right
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Ales Brázdil - Skirts 4
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Ales Brázdil - Lion
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Ales Brázdil - Amoxiclav
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil - Echo 1
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Ales Brázdil - Corners
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil - Temple
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Ales Brázdil - Passage
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.