Paintings

Tomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.

Tomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.

Tomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.

Tomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.

Tomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.

Tomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.

Tomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.