Oil on canvas
Year 2021
Dimensions: 130 x 70 cm
Previous product
Back to products
Aleš Brázdil - Violet on the top right
2,610.00 €
0.02583 BTC
Next product
Marek Šilpoch - Horizon of events V.
2,450.00 €
0.02425 BTC
Ales Brázdil - Cut
3,060.00 € 0.03028 BTC
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
| Dimensions | 130 × 70 cm |
|---|---|
| Artist |
1 in stock
About Aleš Brázdil
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The sight of his paintings awakens uneasiness.His painterly ability to transform what he sees or sees
into a state of dynamic, rearranging matter that can continue to be freely shaped, manipulated, and
bend as needed, the artist inserts himself into an exploration of the analogue world of reproduced recording, with which he works the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording and documentary. Brázdil is fascinated by the existence of a temporal pocket that has been fixed in
medium and can be returned to repeatedly. But what is the reason behind this painterly "extraction" of reproduction?
Solo exhibitions
2017
Paintings, Michal's Collection Gallery, Prague
Portrait, Beseda Gallery, Ostrava
Unfortunately for Me, K10 Coworking, Prague
2016
Over Thin Joints, The Chemistry Gallery, Prague
2011
Nobody Likes Me, Michal's Collection Gallery, Prague
Joint exhibitions
2021
KOSMOS, The Chemistry Gallery, Prague
2019
Just Kids, The Chemistry Gallery, Hall 17, Prague
2018
10 years of Chemistry, Hall 17, Prague
Chemistry Salon, Jungmannovo náměstí, Prague
The Art of Making Catastrophe, Zoya Museum, Modra
2016
Artefact, The Chemistry Design Store, Prague
Art for Hear t, Galerie Mánes, Prague
Resurrection, Traffo Gallery, Prague
Klenová ' ART ' Schwandorf, Galerie Klatovy Klenová
2015
The Face of Pilsen, Depo 2015, Pilsen
Holy ways, Europeans Art, Prague
2014
Arnold and Children, Michal's Collection Gallery, Prague
OSTRALE 014, Dresden, Germany
The Dark Depths of Happiness, Galerie Orlovna, Kroměříž
Temple of Freedom, Red Gallery, London
2013
Confidential Report , Galerie NOD, Prague
22:22, The Chemistry Gallery, Prague
The Dark Depths of Happiness, New Town Hall, Prague
Dog Days, Nau Gallery, Prague
2012
Contemporary Czech Art, National Gallery, Prague
Czech Painting, Piéšt'any Gallery, Slovakia
Dreams of Youth, Gallery Art Affair, Reznor
2011
Something Else, Dea Orh Art Gallery, Prague
Kick-off, DSC Gallery, Prague
2010
Scarecrows, The Chemistry Gallery, Prague
Gallery Kunstverein Graz, Graz
2009
Articulation, Diamant Gallery, Prague
2007
AVU18, National Gallery, Prague
Defenestration, New Town Hall, Prague
How to Buy?
- Add the work to the basket and confirm your order by filling in your contact details.
- AG will confirm the availability of the work with the gallery/artist within 2 business days.
- It then notifies the buyer of the availability and sends a link to the payment gateway if the work's price is under €10,000. In case of works costing between €10,000 and €15,000, we are obliged to identify the buyer under the AML Act. The identification of the buyer is done through a courier who visits the buyer at the address provided and fills out a simple form with the buyer. A payment gateway will then be sent to the email address provided. If the work costs over €15,000, the works can only be purchased in person at the point of sale after the buyer has been identified according to AML rules (personal data).
- The Purchaser shall pay for the work within 24 hours of receipt of the link to the payment gateway.
- After payment, the work will be shipped within 5 working days by a shipping company with a maximum delivery time of 14 days (worldwide).
Related products
Jakub Tytykalo - Astral Dealer
In the work James Tytykal (1984) one can trace the inspiration of classical modernism. Fragmented creatures, still lifes, landscapes and, more recently, urban scenes are reminiscent of Cubism in their compositional structure and reduced colour palette. In contrast to the Cubist emphasis on the act of seeing and the problem of representation, however, Tytykalo turns to the imagination: he models matter in his paintings with an emphasis on its imaginative potential. Tytykalo's combination of acrylic and spray paint inventively merges classical figurative painting with the lightness and exaggeration of street art.
Ales Brázdil - Corners
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Zeb One - E7
By gradually developing the script, Zeb One maintained the continuity of his creative work. He never followed art trends much, and his personal opinion and inventiveness was gradually shaped by graffiti, the street art scene, but also by his admiration for the aesthetic quality of floor plans as we know them from urbanism and architecture. The pursuit of the purest possible form without gestural and emotional elements eventually logically anchored him in a geometric and abstract expression based on typography.
Zeb One - M3
By gradually developing the script, Zeb One maintained the continuity of his creative work. He never followed art trends much, and his personal opinion and inventiveness was gradually shaped by graffiti, the street art scene, but also by his admiration for the aesthetic quality of floor plans as we know them from urbanism and architecture. The pursuit of the purest possible form without gestural and emotional elements eventually logically anchored him in a geometric and abstract expression based on typography.
Zeb One - P7
By gradually developing the script, Zeb One maintained the continuity of his creative work. He never followed art trends much, and his personal opinion and inventiveness was gradually shaped by graffiti, the street art scene, but also by his admiration for the aesthetic quality of floor plans as we know them from urbanism and architecture. The pursuit of the purest possible form without gestural and emotional elements eventually logically anchored him in a geometric and abstract expression based on typography.
Aleš Brázdil - Temple
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Zeb One - F3
By gradually developing the script, Zeb One maintained the continuity of his creative work. He never followed art trends much, and his personal opinion and inventiveness was gradually shaped by graffiti, the street art scene, but also by his admiration for the aesthetic quality of floor plans as we know them from urbanism and architecture. The pursuit of the purest possible form without gestural and emotional elements eventually logically anchored him in a geometric and abstract expression based on typography.
Zeb One - P6
By gradually developing the script, Zeb One maintained the continuity of his creative work. He never followed art trends much, and his personal opinion and inventiveness was gradually shaped by graffiti, the street art scene, but also by his admiration for the aesthetic quality of floor plans as we know them from urbanism and architecture. The pursuit of the purest possible form without gestural and emotional elements eventually logically anchored him in a geometric and abstract expression based on typography.