Acrylic on canvas
Year 2021
Dimensions: 200 x 120 cm
3,750.00 € 0.03862 BTC
The author's themes touch on existential questions of the lives of people who are confronted with the imaginary splitting of their life story across the familiar space of the everyday and the lost memory of the past.
Dimensions | 200 × 120 cm |
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Artist |
1 in stock
Acrylic on canvas
Year 2021
Dimensions: 200 x 120 cm
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
The key to Jan Soumar's paintings is Back into the Reality (2021). Here, reality is its own substance for visual and semantic reassessment. The artist paints from memory fragments of figures and landscape passages, which he collages into a single format together with modernist innovations that replace the clarity of illusory space and transform it into an abstract, sensual or, to use contemporary language, experiential environment.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
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