Acrylic and oil on author's canvas
Year 2022
Dimensions: 150 x 195 cm
White borders are not part of the image.
13,660.00 € 0.17273 BTC
Jan Uldrych reflects on the relationship between transparent representation and coarse expressive painterly gesture, which is usually associated with abstraction. Udrych therefore, in effect, presents us with his paintings in front of ideal and perfect windows: We see the world behind them with absolute clarity, but we have no rational experience of what we see "out there", our minds simply do not have the concepts with which to grasp what is depicted.
| Dimensions | 150 × 195 cm |
|---|---|
| Artist |
1 in stock
Acrylic and oil on author's canvas
Year 2022
Dimensions: 150 x 195 cm
White borders are not part of the image.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
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