Acrylic on canvas
Year 2021
Dimensions: 180 x 200 cm
4,400.00 € 0.04352 BTC
After returning back to the Czech Republic, I still had a deep need to educate myself on this issue and find out as much information as possible. Based on this, the only possible outlet for me was painting where I had the opportunity to express some disagreement or perhaps draw some attention to the problem. Stories and compositions began to emerge of girls I portrayed as strong heroines or fragile girls who were getting a lot of unwanted attention. In the paintings I reduced the descriptiveness a lot, I didn't think it was important to portray very young girls realistically, and I emphasized color and symbols.
Dimensions | 180 × 200 cm |
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Artist |
1 in stock
Acrylic on canvas
Year 2021
Dimensions: 180 x 200 cm
Tomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
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