Acrylic on canvas
Year 2021
Dimensions: 90 x 90 cm
3,100.00 € 0.03095 BTC
By gradually developing the typeface, Zeb One maintained the continuity of the creative work. He never followed art trends much, his personal opinion and inventiveness was gradually shaped by graffiti, the street art scene, but also by his admiration for the aesthetic quality of floor plans as we know them from urbanism and architecture. The pursuit of the purest possible form without gestural and emotional elements eventually logically anchored him in a geometric and abstract expression based on typography.
Dimensions | 90 × 90 cm |
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Artist |
1 in stock
Acrylic on canvas
Year 2021
Dimensions: 90 x 90 cm
Tomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.
The key to Jan Soumar's paintings is Back into the Reality (2021). Here, reality is its own substance for visual and semantic reassessment. The artist paints from memory fragments of figures and landscape passages, which he collages into a single format together with modernist innovations that replace the clarity of illusory space and transform it into an abstract, sensual or, to use contemporary language, experiential environment.
The key to Jan Soumar's paintings is Back into the Reality (2021). Here, reality is its own substance for visual and semantic reassessment. The artist paints from memory fragments of figures and landscape passages, which he collages into a single format together with modernist innovations that replace the clarity of illusory space and transform it into an abstract, sensual or, to use contemporary language, experiential environment.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
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