mixed media on canvas
Year 2021
Dimensions: 140 x 170 cm
3,694.00 € 0.04894 BTC
He layers suggestive gestural painting over each other in an action-oriented way and freely combines it most often with the principles of collage. He is characterised by a strong colourism, a sense of experimentation, and momentary improvisation. His work is often based on his own poetry.
| Dimensions | 140 × 170 cm |
|---|---|
| Artist |
Out of stock
mixed media on canvas
Year 2021
Dimensions: 140 x 170 cm
The key to Jan Soumar's paintings is Back into the Reality (2021). Here, reality is its own substance for visual and semantic reassessment. The artist paints from memory fragments of figures and landscape passages, which he collages into a single format together with modernist innovations that replace the clarity of illusory space and transform it into an abstract, sensual or, to use contemporary language, experiential environment.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
The key to Jan Soumar's paintings is Back into the Reality (2021). Here, reality is its own substance for visual and semantic reassessment. The artist paints from memory fragments of figures and landscape passages, which he collages into a single format together with modernist innovations that replace the clarity of illusory space and transform it into an abstract, sensual or, to use contemporary language, experiential environment.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
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