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Tomas Tichy - Runners (mirroring)
7,750.00 € 0.07734 BTCTomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.
Tomas Tichy - Burning Bush III - Blackout
9,990.00 € 0.09970 BTCTomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.
Tomáš Tichý - Burning Bush II
7,340.00 € 0.07325 BTCTomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.
Marek Šilpoch - Neo
2,000.00 € 0.01996 BTCPrefabricated lighting objects and installations with an emphasis on industrial look; on the one hand an almost purist's purity of forms at times, with a dystopian and sometimes almost cyberpunk aesthetic and unexpected DIY-style on the other. His thoughtful design concept is mixed with intuition, with processes based on controlled chance and spontaneous interventions. He treats light as a colour, but he doesn't shy away from it and uses it in an almost action-like way - prints, dripping, slashes. He has a fondness for neon and old industrial components, whether they are light boxes, tubes of fluorescent lamps, or elements of factory furnishings. The combination of these serves not only to effectively shape his work, but above all to emotionally transform reality and its experience.
Marek Šilpoch - Horizon of events III.
2,450.00 € 0.02445 BTCPrefabricated lighting objects and installations with an emphasis on industrial look; on the one hand an almost purist's purity of forms at times, with a dystopian and sometimes almost cyberpunk aesthetic and unexpected DIY-style on the other. His thoughtful design concept is mixed with intuition, with processes based on controlled chance and spontaneous interventions. He treats light as a colour, but he doesn't shy away from it and uses it in an almost action-like way - prints, dripping, slashes. He has a fondness for neon and old industrial components, whether they are light boxes, tubes of fluorescent lamps, or elements of factory furnishings. The combination of these serves not only to effectively shape his work, but above all to emotionally transform reality and its experience.
Marek Šilpoch - Horizon of events VI.
2,450.00 € 0.02445 BTCPrefabricated lighting objects and installations with an emphasis on industrial look; on the one hand an almost purist's purity of forms at times, with a dystopian and sometimes almost cyberpunk aesthetic and unexpected DIY-style on the other. His thoughtful design concept is mixed with intuition, with processes based on controlled chance and spontaneous interventions. He treats light as a colour, but he doesn't shy away from it and uses it in an almost action-like way - prints, dripping, slashes. He has a fondness for neon and old industrial components, whether they are light boxes, tubes of fluorescent lamps, or elements of factory furnishings. The combination of these serves not only to effectively shape his work, but above all to emotionally transform reality and its experience.
Marek Šilpoch - Horizon of events V.
2,450.00 € 0.02445 BTCPrefabricated lighting objects and installations with an emphasis on industrial look; on the one hand an almost purist's purity of forms at times, with a dystopian and sometimes almost cyberpunk aesthetic and unexpected DIY-style on the other. His thoughtful design concept is mixed with intuition, with processes based on controlled chance and spontaneous interventions. He treats light as a colour, but he doesn't shy away from it and uses it in an almost action-like way - prints, dripping, slashes. He has a fondness for neon and old industrial components, whether they are light boxes, tubes of fluorescent lamps, or elements of factory furnishings. The combination of these serves not only to effectively shape his work, but above all to emotionally transform reality and its experience.
Ales Brázdil - Cut
3,060.00 € 0.03054 BTCAleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil - Violet on the top right
2,610.00 € 0.02605 BTCAleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Ales Brázdil - Skirts 4
9,390.00 € 0.09371 BTCAleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Ales Brázdil - Lion
1,920.00 € 0.01916 BTCAleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Ales Brázdil - Amoxiclav
5,920.00 € 0.05908 BTCAleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil - Echo 1
2,610.00 € 0.02605 BTCAleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Ales Brázdil - Corners
4,160.00 € 0.04152 BTCAleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil - Temple
8,490.00 € 0.08473 BTCAleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.