mixed media on canvas
Year 2021
Dimensions: 140 x 170 cm
3,694.00 € 0.04862 BTC
He layers suggestive gestural painting over each other in an action-oriented way and freely combines it most often with the principles of collage. He is characterised by a strong colourism, a sense of experimentation, and momentary improvisation. His work is often based on his own poetry.
| Dimensions | 140 × 170 cm |
|---|---|
| Artist |
Out of stock
mixed media on canvas
Year 2021
Dimensions: 140 x 170 cm
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Tomáš Tichý's paintings have long tracked the transformations of human sensitivity in a post-media (cross-media) environment and the digital age. His work responds to the flood of still and moving images that are consciously and subliminally becoming part of our lives, together rewriting the surface of reality and modelling a new plane of perception into which manipulative and levelling elements are automatically built. It traces the connection of new media with certain visual genres (fashion, sport, politics, consumerism) with the tendency to create attractive, visually memorable constellations (artificial paradises) and idols (celebrities). It measures and explores the relationship of the traditional hanging image to new stimuli that move, shift, and reshape the language of painting.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
Aleš Brázdil's painting is characterised not only by a sense of illusiveness of expression, but also by the presence of a certain visual irritation. The artist puts his ability to transform what is seen or seen into a state of dynamic, rearranged matter that can be freely shaped, manipulated, and bent into an exploration of the analogical world of reproduced recordings with which the static medium of classical and digital photography and the configurable temporal media of video, film, digital recording, and documentary work.
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