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The focus of Matyáš's work lies in exploring the medium of glass through varying densities in abstract shapes, the way light is refracted, redirected or absorbed, and the use of an organic and vibrant colour palette.

The focus of Matyáš's work lies in exploring the medium of glass through varying densities in abstract shapes, the way light is refracted, redirected or absorbed, and the use of an organic and vibrant colour palette.

The focus of Matyáš's work lies in exploring the medium of glass through varying densities in abstract shapes, the way light is refracted, redirected or absorbed, and the use of an organic and vibrant colour palette.

Martin Janecký started working with glass at the age of 13 in his father's company in the Czech Republic. After graduating from the Secondary Industrial Glass School in Nový Bor, he gained experience in South Africa, Sweden, the Netherlands and especially in the US, where he studied at the Pilchuck Glass School under Richard Royal and William Morris. Today Martin Janecký is considered one of the best glass sculptors in the world. His works are exhibited in galleries and museums all over the world.

Vladimir's glass objects, often in bright dominant colours, are dynamic and vital. Even in their contemplative form, they contain the energy of movement, they are a captured image of a moment, an unrepeatable snapshot, a blink of the eye. They have an inner trembling, restlessness, vibration, a way of communication inherent on Earth and within man.

Vladimir's glass objects, often in bright dominant colours, are dynamic and vital. Even in their contemplative form, they contain the energy of movement, they are a captured image of a moment, an unrepeatable snapshot, a blink of the eye. They have an inner trembling, restlessness, vibration, a way of communication inherent on Earth and within man.

Vladimir's glass objects, often in bright dominant colours, are dynamic and vital. Even in their contemplative form, they contain the energy of movement, they are a captured image of a moment, an unrepeatable snapshot, a blink of the eye. They have an inner trembling, restlessness, vibration, a way of communication inherent on Earth and within man.

Vladimir's glass objects, often in bright dominant colours, are dynamic and vital. Even in their contemplative form, they contain the energy of movement, they are a captured image of a moment, an unrepeatable snapshot, a blink of the eye. They have an inner trembling, restlessness, vibration, a way of communication inherent on Earth and within man.